Transcription: Massenet's Méditation from Thaïs for viola and piano

I think that the best known musical meditation is the one from Jules Massenet's 1894 Opera Thaïs. The action that accompanies this piece happens offstage, when Thäis leaves her life as a pleasure-seeking courtesan, and enters religious life. After the Méditation, the monk Athanaël, who had persuaded Thäis to convert, realizes that he is in love with her.

The Méditation is set for solo violin, two harps, winds, and a chorus of closed-mouth singers. For my transcription for viola and piano I transposed the piece into G major (a fifth lower), and rewrote the piano part to better reflect the colors, pitches, and motion of the original score.

Martin Pierre Marsik's piano reduction of the Méditation was published by Heugel in 1894, and I imagine it was approved by Massenet. But Marsik's piano reduction doesn't sound very good transposed a fifth lower, and a need for a setting of the piece for viola and piano wasn't on anybody's radar during Massenet's lifetime.

Just for a lark, after making my viola and piano edition, I made a personal copy transposed back into the original key, and when I played it on the violin with a pianist friend, it felt better to play with than the Marsik piano reduction. But I guess I am a bit biased.

My edition is now available from the International Music Company (and will be among the new issues on this page soon), and I am very grateful that they respected my choice to rewrite the piano part.